Review: “The Skeleton Twins” 12.13.14

I guess I wasn’t entirely sure what drew me into wanting to see this film. Other than that I had heard and/or read mostly positively priases and it scored well on the various movie review sites that I visit. That and coming off the heels of two dark films that I watched last weekend in the form of both “Calvary” and especially “Nightcrawler” I think I was in the mood for a bit more lighter-fare. But even more so, I’ve particularly always been a fan of Bill Hader and often feel as if he’s much too underutilized in films and mostly plays bit parts. So the promise of seeing him in something where he played the leading man in piqued my interest from the start. Being in that I’m really a Saturday Night Live novice post anything 2000, I can’t say that I’m familiar at all of any of his work on that show. Along with co-star Kristen Wiig. I know neither of them from their work on that show, but rather from supporting parts in movies I’ve seen like 2011’s “Paul”, a movie in which both of them starred in. I also liked Hader in comedies like “Superbad” (2007), “Knocked Up” (2007), “Forgetting Sarah Marshall” (2008), “Pineapple Express” (2008), “Adventureland” (2009), and “This Is 40” (2012). Also, a lot of people don’t know this, but Hader was employed as one of South Park’s head writers for a couple of seasons. There’s a great “making of” South Park documentary that I caught on Netflix streaming awhile back. That shows Hader in his element as they give us a glimpse into the writing and making of a South Park episode. Creators Trey Parker and Matt Stone, regardless of what you think about their show, are so unbelievably successful that they can pull in guys like Hader to write for them. And it’s through this documentary that I found myself developing a deeper respect for him as both an actor and writer. His sheer talent is undeniable. As for Wiig, I can’t say I’ve really seen her in anything outside of the afore-mentioned “Paul” (no I have not seen “Bridesmaids”) and in her hilarious supporting turn in the often much too underrated “MacGruber” (2010). So just based on word of mouth and the fact that I was looking for some lighter fare with a couple of young comedic actors I thought I would give this one a whirl.

The film opens to a rather coincidental and tragic event, both which take place on opposite coasts by 2 siblings – Bill Hader’s Lou and Kristen Wiig’s Maggie. It is through this mere act that the brother and sister are reunited after 10 long years of being estranged from one another. Lou, who seems to be in a very dark place and in desperate need of some much-needed love and support, gets an invitation by his sister Maggie to come stay with her and her husband (played by Luke Wilson, in a great supporting turn) in rural upstate New York. he takes her up on said offer and moves from his dismal life in Los Angeles to her much more suburban-esque home and lifestyle in upstate New York. As is with a lot of siblings, both on-screen and off, they seem to click almost right away and pick up right from where the beat left off. Lou hesitantly acclimates himself and is brought into both his sister and husband’s seemingly domestic home life, and given that she still lives in the same hometown in which they grew up on, starts to revisit some of his past. Facing past failures upfront and face to face, and we begin to learn a bit about his back story. Though while Maggie’s lifestyle seems to be idyllic from the outside. She too is also plagued with her own past failures and her inability to be the wife that her husband, Luke Wilson’s character, appears to deserve as he is a kind-hearted, compassionate, and loving husband. Who also seems invested in his brother-in-law Lou’s recovery from some of his past failures. The two siblings begin to learn that they’re really not much different from one another and are plagued by the same events that happened to them as kids, which makes things rather difficult and opens up doors to facing some of their let downs and disappointments from their childhood. It is through this bonding which things begin to resurface and they begin to realize that they’re not much different than one another. Even despite of them having spent so much time apart.

“The Skeleton Twins” winds up being one of the biggest sleeper hits of the year in terms of its genre. It’s a very sad but honest look at two siblings so troubled and scarred from their childhood that even while in the comfort of one another’s presence, their past seems to catch up with them and makes them face their true fears and disappointments about the flawed adults in which they’ve become. The film brough a lot of my own personal feelings to light, having lived a similar, somewhat tumultuous childhood. The way in which the two siblings’ bond is portrayed is spot on and both Hader and Wiig give complex, layered performances that felt sincere, real, and truly human. It just goes to show that two actors who are better known for their comedic work in, if given the right material, can truly shine as dramatic actors. In fact, I was so impressed by their performances, that I found myself totally immersed myself in the story and emotionally invested in their 2 characters, that I was taken by quite a surprise. There was a certain rawness, a certain authenticity if you will, that I have to say I didn’t think these particular leads could pull off. But they do and then some. Anybody with a sibling or siblings should be able to identify with a lot of the themes explored in this film. As it really does a great job at depicting the ties that bind while also acknowledging that the past may be through with us, but we are never through with the past (a quote lifted from Paul Thomas Anderson’s “Magnolia” (1999) ). There’s an emotional core to the story that seemed totally believable and had me invested from start to finish. Nevermind that I counted maybe 3 or more scenes that were so raw, so poignant, and so heartfelt, that I found myself either being completely moved by them or evoking a beaming smile. This is one of the saddest feel good movies that is executed almost perfectly along with being incredibly well acted, that I’d be hard pressed not being able to recommend it to just about anybody. This is a film that totally took me by surprise, and one that I would employ you to see as its maybe one of, if not the best, dark comedies that I’ve seen all year.

[B+]

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