A Trip (Back) To The Movies: Review – “Never Let Me Go” (2010) 8.23.15

I’ve been anticipating revisiting this film for quite some time as soon as I saw it listed several months back as part of Oregon’s only student run non-profit cinema’s summer lineup. I thought it’d be a perfect choice for my meetup.com movie group as the members of the group have a rather vast taste in cinema and from what I remembered upon seeing it just about 5 years or so ago now, and more than almost any other film that’s come out in the years that have gone by since, admittedly was very little. Though what I do remember was being incredibly moved by the picture and it’s “meta-exercise” in that it blended Science Fiction, romance, and drama all in equal measure. That and it’s directed by the famed British director Mark Romanek, more known in his native country for being a very well-known music video and choreographer, until he delved into the world of film with 2002’s excellent but disturbing “One Hour Photo” with Robin Williams, which showed that he had a deft hand behind the camera in the feature film format as he did in music videos and commercials. That, and it was co-written by the know well-known author turned screenwriter turned director Alex Garland, who recently wowed audiences with his directorial debut – this year’s “Ex Machina”. Featuring a cast of mostly then young British actors Andrew Garfield, Carey Mulligan (pre-“Drive”), and Keira Knightley (probably the most well-known of the crop upon its release), and supporting turns by Domnhall Gleeson (from “Ex Machina”), Andrea Risborough (Michael Keaton’s mistress in “Birdman”), the oh so very talented Charlotte Rampling, and 2-time Academy Award nominee Sally Hawkins (2008’s “Happy Go Lucky” and 2013’s “Blue Jasmine”). It’s a film littered with talent from almost every side – from its screenwriter to director to it’s amazing cast. And one that I was excited to revisit. particularly with a group of people from all age groups, many of whom had never seen it never mind heard of it.

The film takes its source material from the highly acclaimed novel by Kazuo Ishiguro’s 2005 novel of the same name. A very loose synopsis as I tend to like to provide with some of these older films for those of you who have already seen it as the plot begins at a prestigious boarding school called Hailsham, somewhere in the English countryside. It focuses on three life-long best friends who find themselves wrapped up in a love triangle; Kathy (Carey Mulligan) loves Tommy (Andrew Garfield), but Tommy is in a loveless engagement to Ruth (Keira Knightley). But as the film unfolds layer by layer, we come to find out that they may not have as much time left (here’s where the Sci Fi element plays into the picture) here on earth, as they once imagined they might have.

“Never Let Me Go” is easily director Mark Romanek’s best work. From a technical standpoint, Romanek does an excellent job unfolding the tale bit by bit, hinting and leading the viewer in, making them work for it in their understanding of the story. It’s filmed in lush frames and gorgeous shots of the English countryside. And has a sad, melancholy feel that perfectly suits the film’s story about the 3 young leads and their disposition once they find out that they’re merely clones. Or better put, organ donors who were selected at birth to only live into early to mid adulthood, whose life expectancy depends on how many “donations” they’re asked to give before they expire. It’s a tragic story, but whose 3 leads bring a certain authenticity and real raw human emotion to their roles. Particularly that of Garfield, who shows here why he’s become the actor that he is today (remember this is pre-“Social Network” where he was virtually unknown). Carey Mulligan, who I’ve had a soft spot for ever since her strong work in her breakthrough Academy Award nominated role in 2009’s “An Education” and 2011’s “Drive”). Knightley, probably the most “well-known” of the bunch, does a serviceable enough job here and is puts in one of her better performances that’s impressive even if it doesn’t quite match the other 2 leads of whom she plays off of. But what was and is still so interesting to me is how universal and philosophical the film’s story deals with that should tug at the heartstrings of almost any viewer. All of us think about mortality and when it’s going to be our own time to “expire”. But what makes the film so interesting is that each of its characters understand that they’re time is limited to their short lifespan of around 30 years. Sure it’s a theme that deals with the notion of knowing one’s own lifespan and the inevitably of death. But the way in which it handles these themes are done with heartfelt emotion and grace. This is a film that will not please all audiences as its tone may be too melancholy for some and it themes exploring things we often don’t like to think about (i.e. our own mortality). But within it contains great direction and a screenplay by Garland that’s handled with care and sincerity. Never mind it’s 3 leads in Knightley, Garfield, and Mulligan, all of whom bring their A game and who being relatively unknown actors at the time, showcase their talent and prove why they’ve all become sought after young actors in Hollywood. This film moved me more this time than it did upon its initial screening, and in my humble opinion, it’s a master work in it’s 3 major components in the writing, directing, and acting fields. This is one that will linger on with me in the weeks to come and will for ever be remembered, despite it being somewhat underseen and underappreciated at the time of its release, as a stunning achievement and a reminder of what I value about certain films within cinema that are not only relatable but that we can find something ourselves within in it while viewing them.

[B+]

Never Let Me Go – Starring Keira Knightley, Carey Mulligan, and Andrew Garfield

Sunday, Aug 23, 2015, 3:00 PM

5th Avenue Cinema
510 SW Hall Street Portland, OR

5 Portland Film Enthusiasts Went

The combination of heart-wrenching drama, romance, and dystopian sci-fi that is Never Let Me Go is easily director Mark Romanek’s best work. The film is an adaptation of Kazuo Ishiguro’s highly regarded novel of the same name. The plot begins at a prestigious boarding school called Hailsham, somewhere in the English countryside. We focus on three l…

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Review: ‘Begin Again’ 11.5.14

Ireland born director John Carney hit the scene in the mid-aughts with his breakthrough film “Once” (2006). A movie that at the time of its release captivated and moved audiences with its depiction of 2 Dublin lover/musicians that was both equal parts sweet, touching, and moving. It garnered a Best Original Song Oscar the following year, and it’s 2 leads went on to become successful internationally well-known touring musicians. A feat that doesn’t really happen but every so often in that its 2 lead central characters went on to become something bigger than their screen selves could have ever possibly imagined in their wildest dreams. It’s really stuff that miracles are made of, especially considering that it was an independent film made on a small budget. Enter 2013 after a 6 year hiatus and Carney is back once again, but instead of giving us another story about more street musicians living in Europe he takes what at first glimpse appeared, at least to me, to be a familiar formula from his previous film except for that fact that this time taking place in America using mostly a bigger cast of American friendly and familiar faces, and takes another stab at the feel good music drama formula.

“Begin Again” opens with introducing us to our first of our 2 main leads – a down on his luck, poor excuse for a father, barely holding on music producer played by the always superb Mark Ruffalo (who in thinking about is right up there with my slew of favorite actors). He is an alcoholic and as the story slowly stars to unfold, we begin to see how his old days of success and increased drinking has had on his music producing partner (played by Mos Def), his daughter (“True Grit”‘s young and obviously very talented Hailee Steinfeld), and ex-wife (the always puts a smile on my face Catherine Keener). Both his personal, family, and professional life seem to be in serious jeopardy. That is until he meets a recently split from her famous musician boyfriend (Maroon 5’s Adam Levine) and also vulnerable, down on her luck musician/muse character Keira Knightley. After some convincing her that he is her meal ticket to stardom. Knightley seems to equally need Ruffalo’s character as does her he in order for them to try and start both their lives over again.

I found myself really enjoying this film despite its somewhat predictable elements that we more or less have come to expect from a genre piece of its kind. The performances are all well written and acted, particularly that of Ruffalo’s character which I found to be an almost pseudo character study. He once again shines here as he did with his brave turn as an AIDS activist earlier this year in HBO’s “The Normal Heart”. Ruffalo always seems to somehow take a decent script and character and make it better because of his proficiency as an actor. The supporting turns by Mos Def, Catherine Keener, and Hailee Stenfield feel authentic and well cast. Also, Keira Knightley, who I can’t say I’m particularly fond of as an actress in a lead role does a pretty effective and convincing job here. And the 2 leads present a pretty believable on-screen duo. What felt slightly off to me here to go back to the predictability factor that I touched on earlier, was the clichéd storyline that propels us into an idea that the two leads come up with in hopes to achieve success. It felt slightly preposterous but because of my engagement in the story and having a keen sense of the genre of which it falls into, I found myself willing to suspend its plausibility factor. Lastly, and what I found to be the strongest element of the film, was Carney’s obvious knack of understanding the spellbinding power that music has on us all as human beings. The way in which music drives all of the characters portrayed, particularly of Knightley and the rag-tag group of street performers she’s set up with, has a certain energy and sense of inspiration that I thought was a strong point in a movie that is essentially an exploration of the power of music and how it can be a universally loved art form that has the potential to bring us joy in our lives when sometimes we can feel void of true feelings and inspire us to feel joyous, celebratory, and give us the power to feel like nothing else bad in the world actually exists. I thought at the core it captured that component quite well. Which is another credit to Carney and the way in which he seemingly understands this “universality of music” concept and applies it to his script and characters. Despite a couple of minor flaws I found this to be a mostly entertaining musical thrill ride. One that I can see both music lovers and aficionado’s alike enjoying as well as those looking for just a feel good musically themed drama with a fair amount of heart, spirit, and inspiration at the core of its story.

[B]