A Trip (Back) To The Movies: Review – “Never Let Me Go” (2010) 8.23.15

I’ve been anticipating revisiting this film for quite some time as soon as I saw it listed several months back as part of Oregon’s only student run non-profit cinema’s summer lineup. I thought it’d be a perfect choice for my meetup.com movie group as the members of the group have a rather vast taste in cinema and from what I remembered upon seeing it just about 5 years or so ago now, and more than almost any other film that’s come out in the years that have gone by since, admittedly was very little. Though what I do remember was being incredibly moved by the picture and it’s “meta-exercise” in that it blended Science Fiction, romance, and drama all in equal measure. That and it’s directed by the famed British director Mark Romanek, more known in his native country for being a very well-known music video and choreographer, until he delved into the world of film with 2002’s excellent but disturbing “One Hour Photo” with Robin Williams, which showed that he had a deft hand behind the camera in the feature film format as he did in music videos and commercials. That, and it was co-written by the know well-known author turned screenwriter turned director Alex Garland, who recently wowed audiences with his directorial debut – this year’s “Ex Machina”. Featuring a cast of mostly then young British actors Andrew Garfield, Carey Mulligan (pre-“Drive”), and Keira Knightley (probably the most well-known of the crop upon its release), and supporting turns by Domnhall Gleeson (from “Ex Machina”), Andrea Risborough (Michael Keaton’s mistress in “Birdman”), the oh so very talented Charlotte Rampling, and 2-time Academy Award nominee Sally Hawkins (2008’s “Happy Go Lucky” and 2013’s “Blue Jasmine”). It’s a film littered with talent from almost every side – from its screenwriter to director to it’s amazing cast. And one that I was excited to revisit. particularly with a group of people from all age groups, many of whom had never seen it never mind heard of it.

The film takes its source material from the highly acclaimed novel by Kazuo Ishiguro’s 2005 novel of the same name. A very loose synopsis as I tend to like to provide with some of these older films for those of you who have already seen it as the plot begins at a prestigious boarding school called Hailsham, somewhere in the English countryside. It focuses on three life-long best friends who find themselves wrapped up in a love triangle; Kathy (Carey Mulligan) loves Tommy (Andrew Garfield), but Tommy is in a loveless engagement to Ruth (Keira Knightley). But as the film unfolds layer by layer, we come to find out that they may not have as much time left (here’s where the Sci Fi element plays into the picture) here on earth, as they once imagined they might have.

“Never Let Me Go” is easily director Mark Romanek’s best work. From a technical standpoint, Romanek does an excellent job unfolding the tale bit by bit, hinting and leading the viewer in, making them work for it in their understanding of the story. It’s filmed in lush frames and gorgeous shots of the English countryside. And has a sad, melancholy feel that perfectly suits the film’s story about the 3 young leads and their disposition once they find out that they’re merely clones. Or better put, organ donors who were selected at birth to only live into early to mid adulthood, whose life expectancy depends on how many “donations” they’re asked to give before they expire. It’s a tragic story, but whose 3 leads bring a certain authenticity and real raw human emotion to their roles. Particularly that of Garfield, who shows here why he’s become the actor that he is today (remember this is pre-“Social Network” where he was virtually unknown). Carey Mulligan, who I’ve had a soft spot for ever since her strong work in her breakthrough Academy Award nominated role in 2009’s “An Education” and 2011’s “Drive”). Knightley, probably the most “well-known” of the bunch, does a serviceable enough job here and is puts in one of her better performances that’s impressive even if it doesn’t quite match the other 2 leads of whom she plays off of. But what was and is still so interesting to me is how universal and philosophical the film’s story deals with that should tug at the heartstrings of almost any viewer. All of us think about mortality and when it’s going to be our own time to “expire”. But what makes the film so interesting is that each of its characters understand that they’re time is limited to their short lifespan of around 30 years. Sure it’s a theme that deals with the notion of knowing one’s own lifespan and the inevitably of death. But the way in which it handles these themes are done with heartfelt emotion and grace. This is a film that will not please all audiences as its tone may be too melancholy for some and it themes exploring things we often don’t like to think about (i.e. our own mortality). But within it contains great direction and a screenplay by Garland that’s handled with care and sincerity. Never mind it’s 3 leads in Knightley, Garfield, and Mulligan, all of whom bring their A game and who being relatively unknown actors at the time, showcase their talent and prove why they’ve all become sought after young actors in Hollywood. This film moved me more this time than it did upon its initial screening, and in my humble opinion, it’s a master work in it’s 3 major components in the writing, directing, and acting fields. This is one that will linger on with me in the weeks to come and will for ever be remembered, despite it being somewhat underseen and underappreciated at the time of its release, as a stunning achievement and a reminder of what I value about certain films within cinema that are not only relatable but that we can find something ourselves within in it while viewing them.

[B+]

Never Let Me Go – Starring Keira Knightley, Carey Mulligan, and Andrew Garfield

Sunday, Aug 23, 2015, 3:00 PM

5th Avenue Cinema
510 SW Hall Street Portland, OR

5 Portland Film Enthusiasts Went

The combination of heart-wrenching drama, romance, and dystopian sci-fi that is Never Let Me Go is easily director Mark Romanek’s best work. The film is an adaptation of Kazuo Ishiguro’s highly regarded novel of the same name. The plot begins at a prestigious boarding school called Hailsham, somewhere in the English countryside. We focus on three l…

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A Trip To The Movies – Review: ‘Magic in the Moonlight’ 10.10.14

Anyone that knows the film lover side of me knows how much I absolutely adore Woody Allen. My first introduction to him was in a film class in my late teens when one of my teachers showed the class “Annie Hall” (1977). A film that struck such a chord with me and left such a mark that even 15 years later I still consider it to be one of my 5 favorite films of all time. In the several years following I’ve immersed myself in almost every Allen film. At one point a couple of years back, if my mind serves me correctly, I think I remember counting that I had seen 37 of his 44 films. His films have become something much deeper than just movies. In fact, they’ve gotten me through some really difficult times in my life. I almost use them as a therapeutic tool. They’re my version of what I consider to be “feel good movies”. Even though underlying them there’s a sense of cynicism and sadness about his views on life. In my eyes, I look at life very much through what I now consider to be almost an “Allen-like lens”. Given the fact that at this point I feel like I practically know the guy being well aware and knowing that I only know him as a writer, actor, director, comedian, and musician. The best thing for me is that I know each and every single year I will be given a new Woody Allen film. His creative output is only matched by the Swedish director, Ingmar Bergman, who used to release a film a year. And, who non coincidentally, also happens to the director who Allen cites as his biggest influence. Now I can’t really say I had the highest hopes going into his new film, as the trailer just screamed out “minor Allen”. But being in that he’s one of my top fave favorite film makers, I just knew that I had to see it.

The film starts off in Berlin circa 1928 where we first meet a seemingly famous magician named Stanley (played by the great British actor Colin Firth). Our initial impression of him is that he’s quite full of himself. He’s pompous, self absorbed, and a total narcissist. A longtime friend and admirer of his work employs him to travel to the southern coast of France to expose a clairvoyant named Sophie (played magnificently here by Emma Stone, in what might be her finest work to date), who specializes in being able to raise the dead through the ritual of seances. Since he himself is considered to be one of the finest magicians of his time, his employer hopes that he can debunk her and show that’s she’s really just a fake. Stanley arrives to France under the guise of a businessman, but after some time of him and Sophie getting to know one another, she recognizes who he really is and through intuition correctly guesses what his motivations are. But it also seems as if she is smitten by him and doesn’t really seem to care or not that he’s there to expose her. That, and he is fascinated by her too. So while they both know that he’s there for reasons to ruin her they grow a deep affinity and admiration for each other and one another’s work. As their relationship grows so do their affection for one another, but because of their age difference (Stanley’s much older) and the fact that both of them are already in committed relationships, it doesn’t seem like this is a possibility. Except by maybe an act of fate. At the core it may sound like a simple love story but in typical Allen fashion, there winds up being much more involved than what meets the eye.

This wound up being an enjoyable film that I had a fair amount of fun with. Even if it does fall into the more “lighter fare” category. But it is “late Woody Allen”. Who in much of his recent efforts, with the exception maybe last year’s splendid “Blue Jasmine”, more or less reflects the tone of a lot of his latest work. Emma Watson is enigmatic here and a true delight to watch. Colin Firth also seems fitting for the role, and while although I wouldn’t put it up there with his best work (see 2009’s “A Single Man”), he certainly does a decent enough job where I thought he was a good casting choice. The two lead actors obviously seem to have a lot of fun with another one of Allen’s consistently good scripts and provide some great on screen chemistry. Also, as is with a lot of Allen’s more recent work, which acts as an almost travelogue since he films all over the world, he shoots the coast of southern France beautifully with some absolutely gorgeous and stunning photography. The music is also a highlight, as is with most of Allen’s films, he has a great ear for old school big band jazz sounds of the early 1920’s and thirties. My only criticism of the film is that it almost felt a bit “too” light. Like it was trying to pander a bit to the audiences heartstrings. Which is not something I’m used to with Allen. If anything I’ve often felt like his work is the exact opposite in that it tries not to even remotely pander to what he thinks the audience might like. It’s also cute and charming but not very funny. Which I was fine with as I don’t think its intention really was to be funny. At least not laugh out loud funny. However, I look at both of these things as minor critiques and that for the most part, I was able to overlook because of the other elements that I liked. This is slightly above average “late Woody Allen” and is more aligned with his post-aught films like “Match Point” (2005) or “Midnight in Paris” (2011) than it is with his stronger films like “Vicky Christina Barcelona” (2008) and “Blue Jasmine” (2013). It’s a film that even an Allen admirer such as myself can certainly recommend to others who are just looking for an enjoyable evening out with a delightful and charming film which even despite it’s more lighter leanings, succeeds on a lot of levels.

Grade: B